« At first glance, everything seems clear: it’s about light in painting, luminosity, reverberation, vibrations, etc. It’s about a practice that has been part of the long history of using light, darkness and brightness, chiaroscuro or the Renaissance period sfumato to only mention one very well known technique today. Yet, when looking at this history a little closer, we understand that it’s never just about a technique but that it is also a work of transubstantiation in painting. Light is of divine origin. It emanates from a spiritual power… »
from Second Light, by Nicolas Audureau, September 2013
Phaser. 14x 19x27cm 2019
essai 1 à 3. 2016. oil on canvas, 50x60cm
Jérôme Bosch. huile sur toile, 30/34 x 50/56, 2019
BlackMetal. 116x149cm 2016
essai6. huile sur toile, 81x118cm.2015
essai5. huile sur toile, 116x149cm. 2015
ligne Miroslav Tichy 1 à 17. 16/19 x 22/24, 2015
petites lumières. 16/19 x 24/27cm, 2008/2013
Jérôme Bosch_III. 160×250, 2010
Jérôme Bosch_III. 80×130, 2010
Jérôme Bosch. huile sur toile, 30/34 x 50/56, 2004
Jérôme Bosch. huile sur toile, 30/34 x 50/56, 2007
Jérôme Bosch. huile sur toile, 30/34 x 50/56, 2009
Jérôme Bosch. huile sur toile, 30/34 x 50/56, 2010